EN CREACIÓN

DISLOCADAS: UNA FIESTA MÓVIL

Cartel Dislocadas

Dislocadas: A Mobile Party is an early-stage research project that explores the concept of identity through dance, the body, performative action, and experimentation with video in dialogue with theoretical reflection. The process seeks to develop its own language and methodology in which body, image, and space intertwine to challenge fixed notions of identity.

Where are we from?

What is our culture?

What is our dance?

A mobile party

Wangechi Mutu: Forensic Forms, 2004, ink, acrylic, collage, contact paper on Mylar. © Wangechi Mutu / Courtesy of the artist and Gladstone Gallery.
Wangechi Mutu: Forensic Forms, 2004, ink, acrylic, collage, contact paper on Mylar. © Wangechi Mutu / Courtesy of the artist and Gladstone Gallery.

This proposal explores identity from a postcolonial perspective, drawing on Stuart Hall’s notion of dislocated identity and Homi K. Bhabha’s concepts of cultural hybridity and the third space.

It presents a vision of identity as fragmented, fluid, and constantly transforming in an increasingly globalized world.

In this context, the third space is understood as a territory for negotiating and rearticulating meanings and identities. It is not a fixed place and does not belong exclusively to either the colonizer or the colonized, but rather serves as a space of interaction, ambiguity, and subversive potential.

VÉRTIGO

Performative lecture-concert in the creation phase, in collaboration with jazz pianist and composer Rosa María García Mira. The project explores the state of being in love, drawing on Fragments of a Lover’s Discourse by Roland Barthes, understanding falling in love as an experience of language, delirium, lack, and desire.